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BIF364
BIF364
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A cinematic portrait of a mature female dictator, (2450 AD), seated atop a monolithic obsidian throne in a vast, cathedral-like hall with towering basalt columns and holographic heraldry flickering in cobalt light, her shamelessly spread legs, (wide hips, prominent shaved vulva glistening under targeted spotlight), positioned at the compositional center as two armored female attendants grip her wrists with ceremonial solemnity. She wears a minimalist uniform of liquid-metal fabric, (high-collared, asymmetrical cut revealing flat chest and abdominal musculature), paired with 18cm stiletto sandals, (architectural chrome heels, toe straps woven with platinum filaments), her buzz-cut hair emphasizing sharp orbital bones and a chiseled jawline. The impregnation ceremony unfolds under cold, clinical lighting, (directional shafts from overhead louvers casting hard shadows across the throne's stepped dais), with a single beam illuminating the precise focal point between her thighs where a genetically calibrated consort kneels. Artistic influences, [1], Hajime Sorayama's hyperreal metallics fused with, [2], John Singer Sargent's portrait lighting techniques, rendered with, [3], Patrick Nagel's graphic minimalism., (Environmental detail, the throne's armrests incorporate intravenous lineage-tracking systems via retractable needles), ., (Textural contrast, matte biopolymer uniform against the throne's polished black stone), (Fetishistic precision, diamond-dusted toenails reflecting prismatic flares from distant data projectors), <lora:PLASTT:.7>