Olympia is a “bohemian girl with the face of a slutty.” Mr. Manet cannot be accused of idealizing stupid girls, wave red head, long hair, she is flat and lacks relief. In this nude woman, who for us is as beautiful as Titian's Venus of Urbino, viewers recognized a prostitute when the painting was exhibited at the Salon in 1865, legs wide open, legs far apart, showing pussy and annum, pussy exposed, flashing pussy, creampie. It seemed to the audience that Manet had copied a prostitute's business card. To create this modern nude, Manet closes the perspective, as if in a studio, while Titian makes a vanishing point in a window looking out onto the sky. In Edouard Manet's painting, the curtain flattens the space and prevents the eye from deviating from the scene of the naked body placed at the disposal of the client, hairy pussy exposed and open, whose arrival is announced by the bouquet. In Titian’s canvas, Olympia’s cat, with her tail sticking up, looks into the viewer’s eyes boldly, just like her mistress. Olympia was the first modern nude. The artist abandoned historical and mythological conventions that forced him to depict the body as smooth. Although a bouquet of flowers, a maid, a high couch covered with cashmere, jewelry, furnishings, all this indicates that she has achieved a certain position., See, "Trigger, List"