เว็บไซต์นี้สำหรับผู้ใหญ่เท่านั้น
การเข้าสู่เว็บไซต์นี้ถือว่าคุณยืนยันว่าคุณมีอายุ 18 ปีขึ้นไป การใช้งานเว็บไซต์นี้ถือว่าคุณยอมรับข้อกำหนดในการให้บริการและนโยบายความเป็นส่วนตัวของเราเกี่ยวกับวิธีที่เรารวบรวมและใช้ข้อมูลของคุณ
คุณสามารถสร้างรูปภาพใหม่โดยใช้ตัวละครเดียวกัน
Ultra-realistic photo, HD, 8k, ((lesbian, chubby woman, medium breasts, shaved vaginas, perfect vaginas, fingering a woman with a chubby body, medium breasts and shaved vagina, sexy and penetrating her from behind, (lying on a chair, legs open), ((long, straight black hair, thick braid, both completely naked)), provocation, ((extremely lubricated, lots of vaginal juice)), moans, sex from behind, (sitting), for SDXl, vagina in front, looking at the camera, breasts in front, butt behind, perfect hands, perfect fingers, perfect faces))
รูปภาพทั้งหมดถูกสร้างโดยปัญญาประดิษฐ์ของเรา เปิดรูปภาพ กดปุ่ม ทำซ้ำ - สร้างเวอร์ชันของคุณเอง! ความคล้ายคลึงใด ๆ ระหว่างเนื้อหาที่สร้างขึ้นบนเว็บไซต์นี้กับคนจริงเป็นบุคคลธรรมชาติทั้งหมด ทุกบุคคลที่สร้างขึ้นโดยปัญญาประดิษฐ์เป็นผู้ใหญ่!
![Olympia is a “bohemian girl with the face of a slutty.” Mr. Manet cannot be accused of idealizing stupid girls, wave red head, long hair, she is flat and lacks relief. In this nude woman, who for us is as beautiful as Titian's Venus of Urbino, viewers recognized a prostitute when the painting was exhibited at the Salon in 1865. It seemed to the audience that Manet had copied a prostitute's business card. To create this modern nude, Manet closes the perspective, as if in a studio, while Titian makes a vanishing point in a window looking out onto the sky. In Edouard Manet's painting, the curtain flattens the space and prevents the eye from deviating from the scene of the naked body placed at the disposal of the client, whose arrival is announced by the bouquet. In Titian’s canvas, a dog faithfully sleeps at the feet of his mistress, and Olympia’s cat, with her tail sticking up, looks into the viewer’s eyes boldly, just like her mistress. Olympia was the first modern nude. The artist abandoned historical and mythological conventions that forced him to depict the body as smooth. Although a bouquet of flowers, a maid, a high couch covered with cashmere, jewelry, furnishings, all this indicates that she has achieved a certain position., See, "Trigger, List", <lora:Breast Helper - [Concept] - Version 1.2:.5>](https://files.pornworks.com/xyz/sig/size:300/aHR0cHM6Ly9zMy5yZWFsaXN0aWMtbWVkaWEuaW8vc3RvcmFnZS9wb3N0cy8yMDI0LzA5LzI2L29seW1waWFfYnlfZWRvdWFyZF9tYW5ldF9pc19hX2NvbnRyb3ZlcnNpYWxfcGFpbnRpbmdfdGhhdF9kZXBpY3RzX2FfcHJvc3RpdHV0ZV93aXRoX3RoZV9mYWNlX29mX2Ffc2x1dHR5X2dpcmxfZGVzcGl0ZV9pdHNfY29uXzcwNTI5OC53ZWJw.webp "Olympia is a “bohemian girl with the face of a slutty.” Mr. Manet cannot be accused of idealizing stupid girls, wave red head, long hair, she is flat and lacks relief. In this nude woman, who for us is as beautiful as Titian's Venus of Urbino, viewers recognized a prostitute when the painting was exhibited at the Salon in 1865. It seemed to the audience that Manet had copied a prostitute's business card. To create this modern nude, Manet closes the perspective, as if in a studio, while Titian makes a vanishing point in a window looking out onto the sky. In Edouard Manet's painting, the curtain flattens the space and prevents the eye from deviating from the scene of the naked body placed at the disposal of the client, whose arrival is announced by the bouquet. In Titian’s canvas, a dog faithfully sleeps at the feet of his mistress, and Olympia’s cat, with her tail sticking up, looks into the viewer’s eyes boldly, just like her mistress. Olympia was the first modern nude. The artist abandoned historical and mythological conventions that forced him to depict the body as smooth. Although a bouquet of flowers, a maid, a high couch covered with cashmere, jewelry, furnishings, all this indicates that she has achieved a certain position., See, \"Trigger, List\", <lora:Breast Helper - [Concept] - Version 1.2:.5>")
