BIF364

*"A striking full-body portrait of a mature Roman aristocrat, embodying voluptuous raw sensuality. The subject is a 50-year-old woman with a commanding, Rubenesque figure—wide hips, a full, rounded abdomen, and heavy, pendulous breasts with prominent oval areolae. Her posture exudes regal confidence, standing in a dimly lit temple chamber, bathed in golden torchlight that accentuates the curves of her body. She wears an intricately draped, semi-transparent *stola* of deep crimson and gold, barely concealing her generous form. The fabric clings to her thighs and buttocks, emphasizing their fullness. Focus on the contrast between her sacred role and her earthy, carnal presence—adorned with laurel wreaths and arm cuffs, her legs, (long, powerful, slightly dimpled), are posed in a way that draws attention to their muscular yet soft structure. The composition should evoke classical Roman frescoes but with a bold, eroticized edge—think Caravaggio’s chiaroscuro meets John William Waterhouse’s romanticism. Textured marble columns and incense smoke frame her, while her expression mixes serenity with a hint of decadent knowingness. **Key Details, **, **Lighting, ** Dramatic, high-contrast, (torchlight casting deep shadows), ., **Style, ** Hyper-realistic with painterly influences, (Baroque richness, Hellenistic sculpture detail), **Mood, ** Sacred profanity—religious opulence intertwined with unapologetic eroticism., **Fetish Emphasis, ** Legs prominently featured, (posed mid-stride, one knee slightly bent), but avoid explicit nudity—suggestiveness through fabric tension and shadow."* **Avoid, Exposed genitalia, (keep implied), Modern anachronisms, (jewelry, hairstyles), Crude or exaggerated proportions, (prioritize naturalistic weight distribution), . **Artistic References, "The Birth of Venus", (Botticelli), for composition., "Judith Slaying Holofernes", (Caravaggio), for lighting., Roman *Venus* statues for anatomical idealism.", <lora:sagging-000015:2>, <lora:Torpedo_Tits_Anime-GMR-000007:2>