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*"Generate a highly artistic, cinematic full-body portrait in the style of 1920s German expressionist film glamour, evoking both eroticism and refined aestheticism. The scene depicts a slender, flat-chested 35-year-old brunette woman lying gracefully on her side in an embryonic pose atop of soft white down feathers, viewed from an elevated bird's-eye perspective against a stark, clean black background. Her short bobbed haircut reflects the iconic 1920s era, accentuating her delicate features. The composition emphasizes her long, elegant legs and arched bare feet, frozen mid-dance gesture—suggesting ballet-like fluidity. Her fully nude form is rendered with tasteful eroticism, highlighting natural anatomical details, (including large, prominent labia), with unflinching yet artful realism. Lighting should mimic the chiaroscuro contrasts of Weimar-era cinema, casting dramatic shadows that sculpt her figure while preserving an air of mystique. The mood balances fetishistic admiration for legs and movement with high-art sensibilities—think Hommage à 'Pandora’s Box', (1929), or 'Metropolis', (1927), blending voyeurism with avant-garde composition. Avoid vulgarity, prioritize chiaroscuro drama, vintage film grain, and the eerie allure of silent-film starlets. Shot on a medium-format Hasselblad for hyper-detailed texturing, with a color palette of ivory, obsidian, and pearl."* **Key Parameters, **, **Style, ** Weimar Republic cinema / German Expressionism, (high-contrast lighting, theatrical poses), **Mood, ** Dreamlike eroticism, vintage fetish glamour, **Focus, ** Legs, feet, and dynamic stillness in a dance-like posture, **Avoid, ** Overly explicit genital focus, imply sensuality through shadow play, **Artistic References, ** Louise Brooks, George Grosz, Leni Riefenstahl’s early works *"Generate a highly artistic, cinematic full-body portrait in the style of 1920s German expressionist film glamour, evoking both eroticism and refined aestheticism. The scene depicts a slender, flat-chested 35-year-old brunette woman lying gracefully on her side in an embryonic pose atop of soft white down feathers, viewed from an elevated bird's-eye perspective against a stark, clean black background. Her short bobbed haircut reflects the iconic 1920s era, accentuating her delicate features. The composition emphasizes her long, elegant legs and arched bare feet, frozen mid-dance gesture—suggesting ballet-like fluidity. Her fully nude form is rendered with tasteful eroticism, highlighting natural anatomical details, (including large, prominent labia), with unflinching yet artful realism. Lighting should mimic the chiaroscuro contrasts of Weimar-era cinema, casting dramatic shadows that sculpt her figure while preserving an air of mystique. The mood balances fetishistic admiration for legs and movement with high-art sensibilities—think Hommage à 'Pandora’s Box', (1929), or 'Metropolis', (1927), blending voyeurism with avant-garde composition. Avoid vulgarity, prioritize chiaroscuro drama, vintage film grain, and the eerie allure of silent-film starlets. Shot on a medium-format Hasselblad for hyper-detailed texturing, with a color palette of ivory, obsidian, and pearl."* **Key Parameters, **, **Style, ** Weimar Republic cinema / German Expressionism, (high-contrast lighting, theatrical poses), **Mood, ** Dreamlike eroticism, vintage fetish glamour, **Focus, ** Legs, feet, and dynamic stillness in a dance-like posture, **Avoid, ** Overly explicit genital focus, imply sensuality through shadow play, **Artistic References, ** Louise Brooks, George Grosz, Leni Riefenstahl’s early works
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BIF364
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*"Generate a highly artistic, cinematic full-body portrait in the style of 1920s German expressionist film glamour, evoking both eroticism and refined aestheticism. The scene depicts a slender, flat-chested 35-year-old brunette woman lying gracefully on her side in an embryonic pose atop of soft white down feathers, viewed from an elevated bird's-eye perspective against a stark, clean black background. Her short bobbed haircut reflects the iconic 1920s era, accentuating her delicate features. The composition emphasizes her long, elegant legs and arched bare feet, frozen mid-dance gesture—suggesting ballet-like fluidity. Her fully nude form is rendered with tasteful eroticism, highlighting natural anatomical details, (including large, prominent labia), with unflinching yet artful realism. Lighting should mimic the chiaroscuro contrasts of Weimar-era cinema, casting dramatic shadows that sculpt her figure while preserving an air of mystique. The mood balances fetishistic admiration for legs and movement with high-art sensibilities—think Hommage à 'Pandora’s Box', (1929), or 'Metropolis', (1927), blending voyeurism with avant-garde composition. Avoid vulgarity, prioritize chiaroscuro drama, vintage film grain, and the eerie allure of silent-film starlets. Shot on a medium-format Hasselblad for hyper-detailed texturing, with a color palette of ivory, obsidian, and pearl."* **Key Parameters, **, **Style, ** Weimar Republic cinema / German Expressionism, (high-contrast lighting, theatrical poses), **Mood, ** Dreamlike eroticism, vintage fetish glamour, **Focus, ** Legs, feet, and dynamic stillness in a dance-like posture, **Avoid, ** Overly explicit genital focus, imply sensuality through shadow play, **Artistic References, ** Louise Brooks, George Grosz, Leni Riefenstahl’s early works