This is is a detailed monochromatic pencil drawing in a classical illustrative style depicts a scene set in USSR in 1950s.bright, colorful colors, top view, (warm ambient light:.5), (shadows:.4), Summer, heat, south, cute younger blonde elegant a hairstyle with a long, wide braid 20 yo student noble woman in blue summer sundress, white knee socks And shoes, ((she is sitting on the back seat of the car)), she is lifts the hems of their sundresses, ((woman with legs spread apart, woman's white panties are visible)), slightly smile, Next to her sits an old man, and he roughly, forcefully gropes her thigh with his fingers. A hunchbacked, mustachioed, hairy Caucasian old man, 60 years old, laughs mockingly, he’s wearing an open Hawaiian shirt, sports pants and red moccasins, view from below, perfect fingers, perfect anatomy, (woman's body), 1woman+1old man.retro. The overall mood is intense, rendered in fine, expressive line work and subtle shading, evoking the style of 1950s satirical or moralistic illustrations.
This is is a detailed monochromatic pencil drawing in a classical illustrative style depicts a scene set in USSR in 1950s.bright, colorful colors, top view, (warm ambient light:.5), (shadows:.4), Summer, heat, south, cute younger blonde elegant a hairstyle with a long, wide braid 20 yo student noble woman in blue summer sundress, white knee socks And shoes, ((she is sitting on the back seat of the car)), she is lifts the hems of their sundresses, ((woman with legs spread apart, woman's white panties are visible)), slightly smile, Next to her sits an old man, and he roughly, forcefully gropes her thigh with his fingers. A hunchbacked, mustachioed, hairy Caucasian old man, 60 years old, laughs mockingly, he’s wearing an open Hawaiian shirt, sports pants and red moccasins, view from below, perfect fingers, perfect anatomy, (woman's body), 1woman+1old man.retro. The overall mood is intense, rendered in fine, expressive line work and subtle shading, evoking the style of 1950s satirical or moralistic illustrations.
